Saturday, November 6, 2010

Hereafter review

Every Clint Eastwood film is a treat to me in some form or another. Even if the film isn't up to par with his better work, even if the film isn't even good... it still will have some quality to it that's impressive and different from the norm in that genre. "Hereafter" is very good, but isn't quite up there with great Eastwood; mainly because it the double edge sword of a story it has.

What I love about it's plot is that is follows three separate stories: a woman who has a near death experience (Cecile De' France), a psychic who left that world behind him to attempt a normal life (Matt Damon) and little boy whose twin brother was killed and has some serious questions about the afterlife. Each of these stories are made important and have strong emotional keys. It's rare for a film like this to keep those plates spinning consistently, but Eastwood and writer Peter Morgan get it done. France's character was a French news reporter who has seen the afterlife and is beginning to see visions from it. She can't shake these images and it's beginning to effect her work and even day to day life. Matt Damon's normality seeking psychic has to contend with his brother who wants him to go back to reading and start making the big bucks again. He hates his ability and wants nothing more then to put it behind him and meet someone. And the great lengths the young boy goes to for answers is astonishing and offers up a healthy bit of skepticism in religion and the afterlife.

The main flaw that arises however is that after a while... when those stories start coming together it gets a bit if-y. There was a story about producer Steven Spielberg saying the ending needed fixing because the film begins big (with a tsunami) and then ends small. He's right and while I don't think it kills the film by any measure and it's a pleasant conclusion, I do think it's an odd note to go out on. "Hereafter" is really a supernatural film for the skeptical. It offers both sides of the story and Morgan's beliefs on the whole thing. Although I am a bit fuzzy on if he believe all psychics are fake or that most are, but there are those rare people with an extra sense that we cannot explain. Then again that's not so much the big picture point.

"Hereafter" impresses the most though for one simple fact: it's a film not about death, but about life. The real point is how do you deal with loss and pain and keep moving forward. Most movies like this would run up the ghostly stuff as much as possible and really make that it's main focus, but again that power and intelligence of Eastwood helps move it into a more human and equally interesting area. This isn't a drama for everyone... there's a lot going on, a lot of strings and it doesn't move in a regular fashion; however that's why I liking it so much. "Hereafter" is a beautifully crafted piece of work that definitely deserves a viewing.

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